
I love museums.
I
often equate a trip to the museum with memories of my childhood, when on a
boring summer day my mom, grandmother, camp counselor, or whoever had the task
of looking after me would bring me down to the city for an educational
adventure.
That’s why when my college
English teacher announced the assignment to attend the campus art museum and
write a blog post about it, I was extremely excited.
When I visited the Palmer Museum of Art this
past weekend there were lots of beautiful pieces that I was inclined to write
about, but one in particular caught my eye.
Its name was “Affirmative Action” by Jerry Kearns, painted in 1943.
It depicts a woman at work, slamming a hammer
down on what looks to be some form of rock.
Her facial expression is aggressive and strong, as is her stance.
The noteworthy aspect of this piece is that she
isn’t in clothes that you would expect for such a task, she’s wearing a dress
and high heels.
Why, you ask?
Well that’s what I was wondering too.
First I stepped back and tried to analyze
what the message of the piece was, paying special attention to the time period
it was painted in.
During the 1940’s,
America was at war.
WWII had just begun,
and men all over the country abandoned their lives to join the armed forces.
This meant that there were a lot of jobs, and not enough men to do them.
At this time there were also a lot of
factories being created for weaponry and support of the war, and there were
even fewer men to work there.
This was
when America turned to the women.
Although
for centuries women were looked at as nothing more than child-bearers and
keepers of the household, there was a growing need for workers and women were
our only hope.
No one expected that this
would be a permanent change; everyone just assumed that after the war men would
come back and take their old posts.
As
you may have realized, that was not the case.
This struck a revolution for women, eventually leading to a fair society
in which we have just as many rights to work as men do.
The most important icon for the “working
woman” at this time was “Rosie the Riveter”; she appeared on countless ads and propaganda
prompting women to support the war by going to work.
She was “the ideal woman worker: loyal,
efficient, patriotic, and pretty”(Women at Work).
This painting makes me think of her.
The woman in the painting could be fighting
society, using her hammer to break away the foundation of societal views that
were holding her and her gender back.
It
could also simply be reminiscent of the working woman of the age: working hard
to support her country, but also holding true to her femininity by dressing as
she was expected to.
Now,
I don’t know how many people reading this
have actually worn heels, but let me tell you that it is no easy task, and for
a woman to be doing manual labor in shoes like this is extremely impressive and
out of the ordinary.
This piece
obviously is very powerful, no matter which way you choose to interpret
it.
Personally, it reminds me of my mom,
my strongest role model.
A single mother
supporting three kids, working non-stop to provide for her family, make sure
there’s enough food on the table, and put me through college.
She is driven, hard-working, and does all of
these incredible things in her classic 4 inch heels.
Although I doubt it was the author’s
intention to make me think of my mother, especially since she was born 20 years
after the making of this painting, I do think he successfully commented on our
gender as a whole, showing the strength and courage of women of his time, and
ours.
I did some research on Mr. Kearns
and found that he has done a lot of “modernist” paintings that comment on
society and represent a political view.
Although before my trip to the Palmer I was unfamiliar with his work, I
can now say that I am a fan and will be looking for more. What do you think about his work?
"Women At Work." 1940's.org. N.p., n.d. Web. 9
Sept. 2012. <http://1940s.org/history/on-thehomefront/women-at-work/>.